TO KILL A MOCKINGBIRD Opens This Friday at Laurel Mill Playhouse
by BWW News Desk
- Oct 18, 2017
To Kill a Mockingbird, dramatized by Christopher Sergel from the book by Harper Lee and produced by permission from Dramatic Publishing, will be directed by Jen Sizer and produced by Maureen Rogers at the Laurel Mill Playhouse.
BWW Review: Gloucester Stage Season Closes Strong with TO KILL A MOCKINGBIRD
by Nancy Grossman
- Oct 12, 2017
Gloucester Stage Company concludes its 38th season with a thoughtful and thought-provoking production of Harper Lee's American classic, adapted for the stage by Christopher Sergel. Directed by Judy Braha, this affecting production is buoyed by guileless child actors and strong performances from a bevy of adult stage veterans.
Photo Flash: First Look at TO KILL A MOCKINGBIRD at Gloucester Stage
by BWW News Desk
- Oct 9, 2017
Gloucester Stage Company wraps up its 38th season of professional theater on Cape Ann with Harper Lee's To Kill A Mockingbird, now through October 27 at 267 East Main Street, Gloucester, MA. BroadwayWorld has a first look at the cast in action below!
TO KILL A MOCKINGBIRD Opens at Gallery Theater
by A.A. Cristi
- Aug 18, 2017
Scout (Brooke Zollinger), a young girl in a quiet southern town, is about to experience dramatic events that will affect the rest of her life. Set in 1935, this play illustrates the social issues of this time period as the black people of the community have a special feeling about Scout's father. In her youthful innocence, she does not know why. Atticus (Tum Jaeger), a lawyer, explains that he is defending a young Negro (Antoine Johnson as Tom Robinson) wrongfully accused of a grave crime. Atticus fights his legal battle with a result that is part defeat, part triumph. This dramatization of the touching classic tale is a meaningful work of art.
Newnan Theatre Company presents TO KILL A MOCKINGBIRD
by A.A. Cristi
- Aug 15, 2017
Newnan Theatre Company, in conjunction with Crain Oil Company, will open NTC's historic 40th season with To Kill A Mockingbird. The script is adapted from Harper Lee's Pulitzer Prize-winning book by playwright Christopher Sergel, who worked with Ms. Lee to bring this version to the stage.
Windham Theatre Guild 2017-18 Season Subscriptions Now Available
by BWW News Desk
- Jul 6, 2017
The WTG is proud to present its 2017-2018 Main Stage Season of six shows. You can save money by purchasing a subscription or flex pass now. You can get all six shows or you can purchase a flex pass and see any four of the six shows.
Elate's Revival of Ayn Rand's NIGHT OF JANUARY 16TH Opens 6/3
by A.A. Cristi
- May 31, 2017
Veteran stage actor and play director Darryl Maximilian Robinson, who received a 2015 / 2016 Elate Season Ticket Holder Award Nomination as Best Actor for his performance as the debonair, but aging, leading man Ernest in Tad Mosel's "Impromptu" as part of the Elate staging of four one-acts entitled "Just 4 Fun," returns to the stage of the Lincoln Stegman Theatre of North Hollywood to play District Attorney Flint, a prosecutor deeply involved in the case of "The People of The State of New York vs. Karen Andre" in The Emmanuel Lutheran Actors Theatre Ensemble - ELATE revival of Russian-American author and playwright Ayn Rand's 1935 classic Broadway courtroom drama "Night Of January 16th."
Darryl Maximilian Robinson to Appear in Elate's NIGHT OF JANUARY 16TH
by BWW News Desk
- Apr 25, 2017
Veteran stage actor and play director Darryl Maximilian Robinson, who received a 2015 / 2016 Elate Season Ticket Holder Award Nomination as Best Actor for his performance as the debonair, but aging, leading man Ernest in Tad Mosel's "Impromptu" as part of the Elate staging of four one-acts entitled "Just 4 Fun," returns to the stage of the Lincoln Stegman Theatre of North Hollywood to play District Attorney Flint, a prosecutor deeply involved in the case of "The People of The State of New York vs. Karen Andre" in The Emmanuel Lutheran Actors Theatre Ensemble - ELATE revival of Russian-American author and playwright Ayn Rand's 1935 classic Broadway courtroom drama "Night Of January 16th."
Harper Lee's TO KILL A MOCKINGBIRD Coming to Juneau and Anchorage
by A.A. Cristi
- Mar 15, 2017
Young Scout watches her father, the lawyer Atticus Finch, defend a black man accused of a horrible crime. Can Atticus secure justice for his client in this racially charged case, or does his influence have limits? Will the family pay an unacceptable price if he tries? See Harper Lee's beloved tale of a young lawyer and his family testing their limits and the unwritten laws of their time. To Kill a Mockingbird, written by Christopher Sergel, based on the novel by Harper Lee, runs March 14 - April 16in Juneau, and April 27 - May 7 in Anchorage.
Lebanon Community Theatre to Present Literary Classic
by BWW
News Desk
- Mar 2, 2017
Lebanon Community Theatre will continue its 2017 season with the stage adaptation of an American literary classic, To Kill a Mockingbird, adapted by Christopher Sergel from Harper Lee's Pulitzer Prize-winning novel. Directed by Heidi Freeland-Trail, performances are scheduled for March 2-5 and March 9-12 at the theatre on Maple Street and Theatre Drive in Lebanon.
Theater To Go Takes on Racial Injustice and Acts of Courage in TO KILL A MOCKINGBIRD
by BWW News Desk
- Feb 24, 2017
It's a coming of age story set against a backdrop of racism and small town secrets. Theater to Go presents "To Kill a Mockingbird" at Mercer County Community College's (MCCC's) Kelsey Theatre Fridays, March 17 and 24 at 8 p.m.; Saturdays, March 18 and 25 at 8 p.m.; and Sundays, March 19 and 26 at 2 p.m. Kelsey Theatre is located on MCCC's West Windsor Campus, 1200 Old Trenton Road. A reception with the cast and crew follows the opening night performance on March 17.
BWW Review: The Repertory Theatre of St. Louis Presents Inspired Production of TO KILL A MOCKINGBIRD
by Chris Gibson
- Feb 16, 2017
The Repertory Theatre of St Louis is presenting Christopher Sergel's adaptation of Harper Lee's Pulitzer Prize winning novel, To Kill a Mockingbird, and it's a stunning production that is sure to be a smash hit. The addition of a representative group of African Americans referenced in the program as 'The Community' improves the experience immeasurably. The play itself has only a couple of characters of color, and in previous productions I've seen this presented a problem for me, given that the story is about injustice. This seemed to me to be a sort of injustice in and of itself. The basic story was there, of course, but something was missing that would further enhance a clearer understanding of the atmosphere and period. Now I can't imagine a staging that shouldn't follow this lead. This is a powerful and timely show that qualifies impressively as must-see entertainment.
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